Tag Archives: fiction

Our 2017 Bennington Interns are Here!

GWP is a proud participant in the Bennington College Field Work internship program, which we have been doing since our inception in 2014. Our Bennington College interns are all extremely motivated young people who care about the fate of the earth and want to do everything they can to foster a sustainable environment. Our newest interns just started this January and will be with us until mid-February. Please join us in welcoming Ruby, Rachel, and Liana!

Here is a recent photo taken at their first meeting with GWP author, Tim Weed (A Field Guide to Murder & Fly Fishing, due out April 2017), at our favorite Brattleboro hangout, Mocha Joe’s.

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GWP SPRING BOOKS 2017

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GWP SPRING BOOKS 2017 … a few great covers to share/sneak previews …
Nonfiction:
One Man’s Maine, Essays on a Love Affair by Jim Kroschell
Walking Through the Seasons, nature essays by Marilyn Webb Neagley
Why I Ride: Because a Bike Pedal Lasts Longer Than a Gas Tank by Holly McNish and Inja 
Wild Play by David Sobel 

Fiction:
A Field Guide to Murder and Fly Fishing, stories by Tim Weed
Horse Drawn Yogurt, Stories from Total Loss Farm by Peter Gould

Poetry (with Sundog):
Learning to See, poetry by Pamela Spiro Wagner
Roads Taken: Contemporary Vermont Poetry, edited by Sydney Lea and Chard deNiord with a Foreword by New Yorker staff writer, Dan Chaisson
Clothesline Religion, poems by Megan Buchanan

The Hopper Poetry Prize Winners with chapbooks to be published:
LongLeaf by John Saad
The Dark Edge of the Bluff by Ellene Glenn Moore

For Children:
Josie Meets a Jaguar, by B.K.A.B. Bruno, illustrated by Janet Pedersen

Fall books, 2017 are being assigned right now…
They include a picture book for children entitled Salamander Sky written by Katy Farber with illustrations by Meg Sodano …. another picture book called Janey Monarch Seed by Julie Dunlap … We are also publishing a new book of poetry entitled The Long Correspondence by the late Vermont poet, Leland Kinsey, a novel entitled Wild Mountain by Nancy Kilgore, a collection of short stories by Teresa Stores called Frost Heaves, and more!

Press News: Two GWP books win gold IndieFAB awards & More!

13521917_10153924992944682_7112678663056434097_nThis is amazing news—announced today at the American Library Association Annual Conference in Orlando! TWO of our authors from Green Writers Press have won gold for Foreword Review’s IndieFAB Book of the Year!

Congrats to Lauren Alderfer and Leslie Rivver.

 

 

 

13507044_10153936603769682_7379336670217781751_nAlso, this award was just announced:

M JACKSON just WON The 2016 Green Prize for Sustainable Literature from t13510815_10153936603784682_7884590368170981387_nhe City of Santa Monica’s Office of Sustainability and the Environment along with the Santa Monica Public Library! They want her to come to Santa Monica September 22nd to accept the award!! The evening program will feature Eames Demetrios, grandson of Ray and Charles Eames (of the chair fame!).

13567309_10153932248774682_1957763216750489960_nMore great news from one of our GWP authors:

Clarence Major is getting booked for his October New England Book Tour—October 15: Brattleboro Literary Festival; October 17: Harvard Coop Bookstore, with an introduction by Henry Louis Gates, Jr. 7PM reading, October 18: Emerson College morning reading, ETC.

More to come: Willem Lange selected to be featured speaker at NEIBA’s Fall Conference!

 

A Vermont Poet Shines Forth & Welcome New Interns & Summer Fellows

(Book Review)
Galvanized: New and Selected Poems by Leland Kinsey

By David Nilsen

galvanizedGalvanized, the new collection from Vermont poet Leland Kinsey, is a document of the hardship and rough-hewn beauty of living close to the land, in reach of its temper but also its embrace. Kinsey grew up on a Vermont farm, the child of a long line of such folk who clung to existence in the face of a cold north wind, working impossibly hard because to do less was to starve. These poems–some new, most from his seven previous books since 1991–are more closely tied to a particular place than any others I’ve read, and bring Vermont into a vivid focus, painting a landscape and a way of life I had never associated with the state.

Kinsey’s poems are beautiful but brutal pastorales, uncompromising in their depictions of the strain and heartache of living off the land. At times these poems feel like catalogs of woe, running through lists of injuries and tragedies, but they are never self-pitying, and they are never dishonest. The occasional joys of such hard lives are also given their turn, from necessary late night swims in glacial ponds to wash off the sweat and chaff after a day of baling, to summer baseball games, to barn dances to thank the neighbors for helping rebuild a burnt down farm building. Kinsey remembers sledding as a child, the near-suicidal danger of this diversion, the danger less impending than that of their farm work because it was chosen:

“We mostly slid at night to tell
if cars were coming,
no stopping at the corner
except by ditching at forty miles and hour,
blood and fractures either way.”
– page 97

More than anything, these poems chronicle survival, an endeavor that for Kinsey’s family was often a fraught and unforgiving one, but one that laid down from time to time in the shadow of joy. There is a wry humor underlying much of this poetry, rarely spotlighted but often teasing at the edges of harder truths, a humor that undoubtedly served its own role in the family’s endurance. In “Riding in the Open,” Kinsey recalls countless rides on top of farm loads in his youth, experiences that were sometimes fun, a chance to rest, and sometimes quite dangerous, and often both:

“I think of how we mostly could not talk,
mouths agape,
cheeks puffed out by the force of wind,
any conversation blown back passed us,
ears wind stopped,
and of the holding on,
and in the face of the black despair
we were all prone to,
wild laughter.”
– page 96

There is a section of the book containing poems from his 2004 collection In the Rain Shadow, a series of poems he wrote during his extended visit with his cousin in Tanzania. These poems present a jarring change of landscape and culture initially, but it quickly becomes apparent to the reader–as it did to the poet–how much there is in common between the experience the inhabitants of this impoverished nation have had in trying to scrape a living from the harsh African environment and the struggle Kinsey’s own family and ancestors had in prying a living from the glacier-scoured hills of northern Vermont.

Galvanized concludes with selections from Kinsey’s most recent collection, 2014’s Winter Ready. Living as close to (and off of) the land as Kinsey and his family have, many of his poems deal with the seasons, the heavens’ rationing of sunshine and rain, and the cruelties and wonders of winter, but this final section hones in on the way the calendar in a cold-weather climate bends around the gravity well of winter. Spring is about escaping it and planting as soon as the ground warms. In summer it can almost be forgotten as crops grow high and the sun beats down. But by fall, everyone knows what’s coming. Crops are gathered, wood is chopped, repairs are made, food is laid in. Winter will spare no one who isn’t ready. These poems perfectly encapsulate the simple clarity with which Kinsey documents the hardship of living as he and his family have, wasting little regret or resentment over the fairness of their lives. There simply isn’t time for it, and nature is as unforgiving with human life as it is with animal. In one of the new poems in the book, he summarizes this while talking about a recent fishing excursion. He set two trout eggs on a rock by the river, and while he had his back turned, they were snatched up by an opportunistic gull he hadn’t noticed a moment before:

“Eggs, and no gull noticed,
gull, and no eggs to be seen,
no one’s rights involved,
just, quick as that,
life’s magic
act.”
– Fish Eggs, page 7

I was unfamiliar with Leland Kinsey before this anthology, and I look forward to backtracking through his work in the future. He is a singular poet, deft with his words but aware his greatest asset is the strange and wondrous life he’s lived; he forefronts those experiences over flourishes of language, using his narrative skill to show us a scene, a people, and a place, and he trusts in the raw beauty and grace and pain of those details to do the work for him, which they certainly do.

REBLOGGED FROM:

(Book Review) Galvanized: New and Selected Poems by Leland Kinsey

 

NEWS:
Leland and many of our GWP aithors will be at BOOKSTOCK Literary Festival this summer! You can read about them here: http://bookstockvt.org/2016-presentations/

SummerInternsandFellows
Our interns and summer fellows officially start on Monday!
Please welcome them!

MARGARET SWEENEY, Editorial Intern and Publicity
Processed with VSCO with f2 presetMargaret Sweeney is a native of Brattleboro, Vermont and a recent graduate of Bennington College, where she studied literature and writing. While at Bennington, she interned for the literary organizations Poets House and the Center for the Art of Translation and served as co-editor-in-chief of plain china, the first national anthology of undergraduate student writing. She now lives in Western Massachusetts and works as a part-time bookseller at Odyssey Bookshop in South Hadley.

JESSICA JAUNDOO, Editorial Intern and Marketing
meJessica is an upcoming sophomore at Bennington College and was born and raised in Boston, MA. She has always had a lifelong interest in nature and her friends always find her trying to adopt any animal or critter into her life. With her interest in the field of Biology and the Environment still in its exploitative stages, her long term hobby has always been writing her own stories and coming up with ideas with friends. Inspiration never fails to strike her at any moment and many who know her are curious to see which book she may publish in the future.

RON ANAHAW, January-February Field Work Intern and 2016 Summer Fellow
RonAnahawRon Anahaw has three things close to his heart: RonAnahawCandid
his loved ones, writing, and Korean fried chicken. With a hand on playwriting, poetry, journalism, and fiction, he considers himself a jack-of-all-trades in writing. He is a big believer in trying to keep the world habitable. He is as quick to crack a joke as he is to ask you to collaborate. Ron is a first-year student at Bennington.

 

KAIYA LEWIS-MARLOW, Editorial Intern
KaiyaLewis-MarlowKaiya is a first term Bennington student with a passion for literature and social change. She lives in Chapel Hill, North Carolina, and was raised with close ties to the local farm movement and community there. In her spare time, she enjoys writing speculative fiction, hiking, and making jewelry out of found mechanical objects and polymer clay.

 

KAITLYN  PLUKAS, January-February Field Work Intern and 2016 Summer FellowKaitlynP
Kaitlyn is a first-year student at Bennington College with a passion for any and everything Literature oriented. She firmly believes in the power of literature; both in the way it completely transforms perceptions of the world and in the way it inspires unity amongst communities. Her many years as a Girl Scout and Gold Award recipient have inspired her to enact social and environmental change. Kaitlyn is an avid sock collector, an outdoors adventurer, and is a right-handed writer who is preferential to pens.

Honoring Black History Month

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Here at Green Writers Press, we are busy planning our Spring Book launch set for April 24th at 3:00 PM at Next Stage Arts in Putney. We are also busy celebrating all things African-American and honoring our newest authors who write so eloquently about race and the struggle for equality. We join the Library of Congress, National Archives and Records Administration, National Endowment for the Humanities, National Gallery of Art, National Park Service, Smithsonian Institution and United States Holocaust Memorial Museum join in paying tribute to the generations of African Americans who struggled with adversity to achieve full citizenship in American society.

We’d like to tell you about a few books that we are honored to publish—one is just out this past year, and the other forthcoming in 2016!

9780996135771-PerfecBandCt.inddBlackberries and Cream is the compassionate and insightful story of a young white girl balancing her love for her African-American caregiver and her depressed mother in 1960s Alabama. Full of Southern charm and subtle wisdom, this novel explores the meanings of love, family, and courage in a heartfelt coming-of-age tale that will resonate with children and adults alike. This novel comes at a poignant moment in our society when racial prejudices still linger and the challenges to diversity in children’s literature remain difficult to confront. Blackberries and Cream is perfectly suited to help cultivate awareness about these issues, inspiring meaningful reflection and discussion in young readers. It is 210 pages long and can be considered children’s fiction (middle grade to young adult readers) and historical fiction. We are hoping readers will spread the word. 

Vermont author Leslie Rivver and her best friend, growing up, Ida Bell in Alabama 20 years ago.

Vermont author Leslie Rivver and her best friend, growing up, Ida Bell, in Alabama 20 years ago.

This photo is from twenty years ago, of the author Leslie Rivver and her caregiver Ida Bell, who are the main characters in this semi-autobiographical novel we are promoting during Black History Month. ‪#‎BlackHistoryMonth‬

PRAISE
“Brimming with wisdom and mischief, this tender, heartfelt celebration of an abiding friendship between a white girl and her black caregiver in 1960s Alabama reminds us that the love we experience in childhood has the power to sustain us through a lifetime of change.”
–Irene Latham, author of Leaving Gee’s Bend

ChicagoHeatCoverMKTsml

The cover painting is by Clarence Major, entitled “Lady,” 60 x 36 inches; acrylic on canvas.

~

We are also thrilled to announce the upcoming story collection by Clarence Major. Chicago Heat and Other Stories employs a gorgeous purity and simplicity of language in a series of masterful analyses examining human interaction. Each narrative voice comes forward all at once, individual and complete, without obstacle or complication, enabling the reader to see the characters and feel their emotions. Major does not shy away from the bitter or the harsh; we get to hear it all. Like paint on an easel he blends lyricality with moxie and the blunt with the beautiful. The characters come together as easily as they part; people leaving, coming back, going, staying—it all sticks and fades like heat on your skin. The imagery is completely accessible and generously given. Toni Morrison comes to mind. His work is like jewels.

Clarence Major’s list of works and achievements is an impressive one. From awards like the Pushcart Prize and National Book Award to fellowships like the Fulbright Fellowship and National Council for the Arts Fellowship, Clarence Major has established himself as a prominent literary figure. Having written more than eight novels, including My Amputations and Dirty Bird Blues, alongside a dozen books of poetry, Chicago Heat and Other Stories is only his second work of short fiction and first book with Green Writers Press.

Clarence Major
CLARENCE MAJOR is a prizewinning short story writer, novelist, poet and painter. As a finalist for the National Book Award he won a Bronze Medal for his book Configurations: New and Selected Poems 1958-1998.  Major was a finalist for the Los Angeles Times Book Prize, The Bay Area Book Reviewers Book Award and The Prix Maurice Coindreau in France. He is the recipient of The Western States Book Award, The National Council on The Arts Award, a New York Cultural Foundation Award, The Stephen Henderson Poetry Award for Outstanding Achievement (African-American Literature and Culture Society of The American Literature Association), the Sister Circle Book Award, two Pushcart prizes, the International Literary Hall of Fame Award (Chicago State University), the 2015 Lifetime Achievement Award in the Fine Arts, presented by the Congressional Black Caucus Foundation, and other awards. He is Distinguished Professor Emeritus at the University of California at Davis.

PRAISE FOR THE WORK OF CLARENCE MAJOR
“Clarence Major has a remarkable mind and the talent to match.”     Toni Morrison
“A pioneer on the cutting edge of contemporary fiction.” —Charles Johnson
“[Major’s] language is both lyric and precise. His vision is both humorous . . . and serious.
His story is our own.”                  
National Book Award Finalist/citation for Configurations

“Clarence Major’s… gathering of short stories has extraordinary technical and emotional force, that pushes the form to its contemporary limits without losing contact with its sources in legend, tall-tale, conte, yarn…Major…proves that he is one of only a handful of American writers capable of doing significant work in more than one genre.” —Russell Banks

~~~~~~~~~~~~~~~~~~~~~~~~

Thanks for helping us spread the word about our growing press, especially the authors that help all of us celebrate our freedom and social justice, and foster increased awareness in environmental sustainability. Here is an eloquent quote from Clarence Major in support of our work at the press:

One of the most pressing issues for all of humanity is the environment, namely climate change.  I would like to support efforts to bring about awareness of the problem. We are running out of time. —Clarence Major

 

A dramatic reading of one of our books!

Latchis Arts hosts dramatic live reading of Peter Gould’s
new novella, ‘Marly’  
Jonny Flood brings ‘Marly’ to life
on Sunday, February 7, at 4 p.m.; admission is by donation,
and proceeds benefit the Women’s Freedom Center

  

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Latchis Arts, in association with Green Writers Press, presents a dramatic reading of Peter Gould’s new novel, “MARLY,” starring Jonny Flood and directed by Gould on Sunday, Feb. 7, at 4 p.m., in the Ballroom Theatre at the Latchis.

This event, also presented by New England Youth Theatre, will benefit the Women’s Freedom Center of Brattleboro. Admission is by donation, all of which will go to the Women’s Freedom Center

Marly is dramatic climate fiction in a new literary form. To find out what that means, read it, or hear it read aloud, or both. Green Writers Press is a new Brattleboro-based publisher lighting up the New England literary landscape with high-quality books on ecological themes. Come to the reading, and talk with Dede Cummings, founder of GWP, and her Bennington College interns. Gould, author of three well-known published novels, is a professor in the Conflict Transformation Program at Brandeis. He’s the smaller, quieter half of the renowned theater duo, Gould & Stearns. Jonathan Flood has been doing theater non-stop with Peter since he was 12 years old. He’s the director of several “Get Thee to the Funnery” youth theater camps, and he’s also the new Education Director at NEYT.

The fictional female character, Marly, teaches at a small Vermont College, where she specializes in forestry, wildlife habitat, chainsaw technique and self-defense for women. She’s a survivor of domestic violence; strong and self-actualized as she is, she still suffers from the after effect of the attack.

Please come and enjoy the reading, support the Freedom Center, and join the discussion. You’ll be home in plenty of time to watch the Super Bowl, if that’s your thing.

Copies of the novel will be on sale. I hope I see you here at the Latchis,

Jon

Jon Potter | Executive Director, Latchis Arts Inc. | Latchis Corporation

50 Main Street | Brattleboro VT | 05301
802.254.1109×3  | jon@latchisarts.org
Preserving the Latchis | Promoting the Arts

And now a word from one of our interns . . . !

IceandAmysView

View of the Connecticut River from Amy’s Bakery Arts Café on Main Street in Brattleboro, Vermont. Photo by Kaitlyn Plukas.

~~~~~~~~~~

From inside Amy’s Bakery, you can watch the ice floes drift on the Connecticut River like a herd of large, groggy fish moving downstream, or somewhere, or nowhere.

Alongside this, I’ve learned a lot during my first week in Brattleboro. I’ve learned: how to code manuscripts; that I have a hidden love for Thai food, courtesy of my host family; that copy editing is far more backbreaking than I expected; that when it’s cold enough, you can ice skate on the Meadows; and that Dede Cummings and her vibrant personality is a cure-all for gloom, doom, and any other word that can threaten your day.

I always pictured myself romping around in New York City
with a Didion-esque experience ahead of me

I’ve also learned that I’m happy to fork over pretty much all my money to Mocha Joe’s, as long as their magic brews helps me stay up long enough to finish work for a press as great as Green Writers Press. And, thanks to my irresponsible nighttime-sips, I’ve had the pleasure of seeing Brattleboro’s sky from dusk to dawn.

I’m eating, laughing, exploring, learning, and most importantly, I’m doing work that I love. While I always pictured myself romping around in New York City with a Didion-esque experience ahead of me, yellow curtains and all, I’ve learned that I’d be happy to work away in a place like Brattleboro, for a place like Green Writers Press. (As long as I can get some of Bamboo Garden’s pad Thai, that is.)

—Ron Anahaw, Bennington College intern/Field Work

~~~~~~~~~~~~~~

 

A note from the editor: The American Library Association’s 2016 Midwinter Meeting and Exhibits took place January 8–11 at the Boston Convention Center. GWP had a table for the first time. Our resident Bennington College interns Ron, Kaitlyn, and Emy love libraries! Our far-flung interns, Ferne and Kaiya, are holding down the fort and Skyping in from New Orleans and Chapel Hill, respectively.

BenningtonInternsGrid

Our fabulous interns, from left to right: Kaiya Lewis-Marlow, Ferne Johansson, Emy Blohm, Kaitlyn Plukas, and Ronald Anahaw.

We are lucky to have such a great group of hard-working students from Bennington College!

 

A Climate Fiction/CliFi “Bromance”

Review of Love in the Time of Climate Change by Brian Adams 

by Sage Kalmus

  

 

Twice while starting Brian Adams’ Love in the Time of Climate Change I had to pause and review the book jacket to make sure it was indeed a work of fiction I was reading. Sure enough, there I saw it each time, on the cover in small print beside the author’s name, the definitive declaration: “a novel.” Yet mine was an easy mistake to make, as the book begins with an expository—if cheeky—primer on what’s later referred to as “The Issue.” Then again, isn’t this how so many novels start: by setting the scene for the tale to come? In this case it just so happens to be the backdrop of global warming.

The true start of the novel opens on Day One of the new semester at a small community college in western Massachusetts, as our narrator, Casey, an environmental studies professor, prepares to greet his new group of students. He begins, he tells the reader, the same as he has every previous semester: by revealing to his class his debilitating illness, Obsessive Climate Disorder (OCD.) Little does our quixotic narrator know that in this particular class is one student with the power to help him, if not cure his disease, then certainly ameliorate its symptoms. And it is these symptoms of Professor Casey’s self-diagnosed OCD that we witness him suffer through as he attempts to win hearts and change minds: one heart and mind, as he’s soon to discover, in particular.

An early clue that this book is more than just a thinly disguised sermon on the mount comes when two of the students in Casey’s extra-curricular group, The Climate Changers, get into an embittered battle over which of them is the more tenacious bicyclist. Clearly saving the world poses the possibly greater threat of ego annihilation (as in annihilating the world with one’s own ego.) It doesn’t take long to realize this story is far more about the struggle an individual goes through to live from day to day in the face of a damning reality than it is an attempt to educate an audience who likely already knows much of what he speaks. To simply say the author here is preaching to the converted would be disingenuous because he’s not preaching: he’s satirizing. He simply happens to be satirizing his own deeply held beliefs. This makes for some rather bold self-deprecating humor. For example, when a student comes to his office alarmed from her newfound awareness of our true environmental condition, Casey reacts at first  with self-satisfaction, thinking, “Yes! Got ’em!” followed immediately thereafter by, “Of course, what this really means is that they’re now doomed for a lifetime of extreme anxiety, possible depression, constant angst, and a whole host of other intellectual trauma…But hey, such is the price of education. Right?”

In such ways this novel often seems a case study on contradiction, on collateral hypocrisy, on trying to “walk the walk”, to “practice what you preach” in a world that makes such feats prohibitive. Thus we witness Casey forced by circumstance to patronize his Corporate Enemy #1: Walmart, only to create a self-fulfilling prophecy of humiliation while inside. Throughout Casey’s misadventures I was often reminded of the myth of Sisyphus, doomed to forever roll his boulder up a hill only to find that, just when he gets it near the top, it rolls past him all the way to the bottom again.

Likewise love, Casey finds, is not without its Sysiphusian hurdles, in this case that the object of his affections is also a student. Never mind that she is a peer in age, and even a fellow teacher, of youngsters, and at an entirely different school to boot. Casey’s professional moral code is as strict as his climatological one. Of course, all codes are meant to be tested, and indeed it is watching Casey butt up against these imperious standards of his that provides some of this novel’s richest humor—particularly when it’s his lust, second only to morals behind his steering wheel, responsible for such collisions. Case in point: when Casey ruins his chances of a sure-thing with a hot and perfectly available female when her apartment bears the unavoidable evidence of her environmental ignorance. Or when he takes his class on a field trip to an awe-inspiring earth friendly home only to have its message overshadowed when that special student he’s aiming to impress the most gets attacked by geese while he stands there paralyzed to help her. At times one has to wonder if this bumbling narrator can ever overcome his neuroses enough to land any woman, let alone the one of his dreams, and it’s both a torture and a delight to watch him trip over himself as he discovers, time and again, that all the science in the world can’t help him navigate the tides of love.

This novel is at its best, however, when it does precisely what its author seems clearly to have set out to do in devising it: using unexpected moments of mundane life to illuminate yet another way in which climate change affects us without us even knowing it. For example when Casey and the object of his affections visit an apple orchard only to discover the trees completely bare, as the unseasonable return of winter the previous spring killed off all the apple blossoms before they could flower. Or when Casey and his pothead roommate find their own moral boundaries tested in the face of their neighbor’s energy-sucking Halloween yard decor.

In short, Love in the Time of Climate Change is a light-hearted look at a heavy-hearted subject. But the love story embedded within the tale is far more than a literary device to keep readers entertained through the story’s teaching moments. In fact it proves to supply the missing ingredient in an adult child’s delayed maturation into manhood. Without the love story in our life we’re all doomed to the ravages we’ve wrought on ourselves, is the message.

The reference in the novel’s title to Gabriel Garcia Marquez’s Love in the Time of Cholera seems apparent. And while both stories detail an epidemic bound invariably to leave no one in its path unscathed, if I have to confront the imminent end of the world (at least as I know it) I would much rather take that ride with Casey and his manic band of Climate Changers, because with them at least I know I’ll go out laughing.

~<~

Book review by Sage Kalmus

 

Sage Kalmus is a freelance writer and editor since 2004. He earned a M.F.A. in Creative Writing from Lesley University where he was honored as student speaker at his graduation. He earned a B.S. in Film & Broadcasting from Boston University. His article “Believe in Magic” appears in the current issue (May 2015) of The Writer magazine. His short stories have appeared in Whisperings magazine, CARNIVAL Magazine, Rose Red Review, and he published an essay in The Hampshire Gazette.  

The Wearing o’ the Green—Vermont Style

This St. Patrick’s Day, it’s not only the Irish who will be clad in forty shades of green. GWP publisher, Dede Cummings, and her ecologically-minded team at Vermont Green Writers Press, are launching their own green tribute to the Emerald Isle.

Green Writers Press—whose books are already being nominated for several prestigious national literary awards—is launching an exciting new imprint, sure to green the hearts of its readers.

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GreenPlace, a line promoting “Green Places & Cultural Spaces for all Readers,” will launch two new green voices in the Irish-American literary scene, authors both deeply committed to preserving Place.

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Our First High School Intern & News

LindseyVachonHSInternGWPLindsey Vachon is Green Writers Press’ first high school intern. She is a junior at Leland and Gray Union High School in Townshend, Vermont, where she lives, and hopes to learn everything there is to learn about writing and the publishing world. She loves writing, mostly fiction, and besides that, has a love for creating pottery, traveling and learning about the stars. Please welcome the talented and wonderful, Lindsey Vachon!

Lindsey is helping to edit this young adult/middle grade reader fiction coming out in May, The Order of the Trees.TheOrderoftheTreesFrontCover

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From Walden to Walden North: Reading, Writing, and Publishing Vermont

RoadWaldenNorthCoverMKTRooted in a Thoreauvian sense of Place, a new literary movement is sweeping Vermont. From Walden to Walden North, Vermont, localvores have shifted their focus from eating to reading, writing, and publishing! We are thrilled to be a big part of this movement. Our recent NEK (Vermont’s Northeast Kingdom) book tour was a great success—there is a lot of interest in our new publishing company. As publishers in a global market, we mediate between the great world and the place we call home. We look for the genius loci, the “spirit of place,” in selecting our titles and partnering with our authors and readers.

Locally, Vermonters are unearthing what was once “concealed”—to borrow Thoreau’s words—in their “haze-filled valleys” and mountainside farms to share with readers “their Waldens” in poetry, stories, and novels.

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Our First Newsletter ~ Fall, 2015

Green Writers Press: Giving Voice to Writers & Artists Who Will Make the World a Better Place

Green Writers Press

Green Writers Press

Our fall booksGreen Writers Express include Polly and the One and Only World, Love in the Time of Climate Change, Josie and the Fourth Grade Bike Brigade and Contemporary Vermont Fiction.We are so proud of our books. Please come join us November 9th at Next Stage in Putney, VT for a party to celebrate Contemporary Vermont Fiction with a reading and live music! If you’d like to contribute to that book to help Robin and Dede with expenses, Robin has created a beautiful Indiegogo campaign… The video alone is worth a quick look: www.indiegogo.com/projects/contemporary-vermont-fiction-an-anthology We have had an amazing year here at GWP: The fact that our mission resonates with so many readers of good books is evident wherever we go and via the emails and letters we receive. From the Nantucket Book Festival to Bookstock in Woodstock, VT the Brattleboro Literary Festival and the Northern Woodlands Writers’ Conference, our authors are out there reading, signing books and lending their unique voices to the environmental movement. Many of us were at the Climate March in NYC, too, and we know that there is tremendous momentum in the world to create change! Our press is growing. Thanks for sharing!EVENTS: Brian Adams Book Tour; Don Bredes too! . . . Stay tuned for our 2015 Spring List!
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Top: View from the office
Left: GWP poet, Leland Kinsey.Sign up for our monthly news by filling in the form at right! We will keep your email private! 

The Climate Rally & Our Fabulous Fall List

IMG_1889.JPGThe People’s Climate March
Green Writers Press authors and editors were down in NYC in full force with the rest of the world watching as 1% of Vermonters and almost half a million people marched for Climate Justice! We are proud beyond words to have been asked to carry the Vermont flag. Here are some photos from The March—one of Dede Cummings and Vermont-Irish poet from our book, So Little Time, Greg Delanty! Please share and keep the momentum going….March On!

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Summer Recap & The Climate Rally

-cbbf001afadaaa2fAs I sit on the Amtrak “Vermonter,” hurtling through the Connecticut countryside, I’m reflecting on how amazing the summer was for us at GWP: the Bread Loaf / Orion Environmental Writers’ Conference, Bookstock in Woodstock, the Greensboro Writers’ Forum and my poetry workshop — “Making the Global Personal: Using Poetry as an Activist Tool”—were just a few of the highlights of the summer, along with hiking, biking, swimming in Vermont’s rivers and gardening, of course.

GWP poet, Greg Delanty, had a beautiful poem published in The Atlantic, and under his name, they mentioned our book, So Little Time! We are so proud and honored to have Greg as one of our authors. He will be down in New York City with us, this Sunday, for the Climate Rally, along with thousands of Vermonters.
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Growing and Catching Our Breath: “Cli-fi,” A Surprise from Julia Alvarez & More!

IMG_5194.JPGThings at GWP are in full summer bloom, along with the heirloom yellow lilies given to Dede and Robin by Howard Frank Mosher—actually, I should say stolen yellow lilies, for Howard, his wife, Phyllis, and a local woman, now deceased (who was a Kingdom legend and most likely in one of Howard’s stories), snuck over to an abandoned farmhouse and dug up quite a pike if bulbs last fall. Howard brought them down to us as a gift at our inaugural publishing launch!

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